Tuesday 20 February 2018
How To Write A Christian Song
First to write a ballade, or sonnet a traditional 14 line poem, you can write it like
Petrarch, who wrote an octave, that is two qautrains (4 lines each ) for his thesis a total of 8, and then another (6 lines being, 2 tercets of 3 lines of verse) for his sestet, as his proposition or concluding thought or opinion with two tercets.
You can write a Spenserian sonnet with 7 couplets as your verses.
You can write a Terza Rima like Dante, with 4 -3 line tercets for twelve plus another two lines of verse for a total of 14 with and 1- 2 line couplet.
You can try writing like Chaucer, with 4 tercets, 3 lines of verse each and 1 couplet, to make a total of 14 lines for your sonnet / ballade.
You can write a sonnet like Shakespeare with 3 qautrains with 4 verses each and 1 couplet with two verses.
It does not matter how you write it, the modern pop songs have 3 verses and two choruses.
So write either 3 quatrains for twelve verses rhyming every other line.
Use and AB, AB rhyme scheme and then for the hook, your chorus write a 2 line couplet as your chorus. That makes a sonnet of 14 verses or lines.
You can repeat the chorus, as many times as you like in your song.
To start, think of a concept, what you want to write about, that is your over all theme.
Brainstorm through stream of consciousness as many ideas as you can, jot them down in point form quickly.
Then organize words that you want to use to make a key point, elaborate on that idea, write a paragraph about it. 4 lines, try to rhyme the end syllable of every other line.
A
B
A
B
Use that pattern.
Then write two more.
Think of an over all statement that sums up the theme and the concept in your verses.
That will be your Premise.
The Hook.
The Chorus. It is your 2 line couplet!
Now you are done with the poem, here is how to mark the scansions for meter and for prosody to find the melody of your music.
Scansions, when they are musical notation, and metric, measures, are bars in music, Ams, 4 beats or notes, and the phonemes, syllables, one per beat, in either, 1/4 or 2/8 or 4/16 depending on the cantillation of the prosody in the vowels, both the primary and the secondary, each being stressed according to it's type of syntax in grammar, nouns, having initial stress at the front, and verbs having the end, or usual (but not always penultimate stress), then the scansion should reflect actual real scansion and musical notation.
The syllables, one phoneme per beat or note, having either 1 quater note for (L) light weight vowels or (H) for heavy weight vowels 2 quarter notes or 3 quarter notes for superheavy vowels, it is rare to have 4 notes for a vowel but is possible.
That is one way, to mark the prosody, with Longue being 4 notes = 1 Am / Bar and Breve Short being 2 is another way to mark the scansion , like the medieval music notation for chants.
Another way to mark prosody it to specifically keep the phones /phonemes marked as on per syllable and one per note or beat in the 4/4 time/ tempo of an Am /Bar/ measure of music.
To mark the exact prosody, and to write music , then mark the cantillation for each vowel, with it's prosody being dynamic (S) Fortis Strong and (L) or (W) Lax, for Lenis or Weak dynamic based on the voiced or unvoiced consonants or vowels in the prior note/ syllable. Being marked F LOUD and P for Soft or quiet, and there is varying degree of 1 through 5 FFFF or MF or MP PPPP that is your dynamic, and it will indicate the phase or strength of frequency or colour degree of the clarity and resonance of the note when it is voiced, and the prosaic quality of the register/ pitch/ tonality the rise and fall, is the exact cantillation of the vowel enunciation, of melody and prosody with light syllables having one,ornament or figure and heavy having two notes and super heavy three with the mid being the highest point, starting at the lowest raising to mid then back to tonic or the previous note, it should be raised up if it is voiced, and lowered if unvoiced in the prior syllable or consonant.
So in that way, the note, a beat, the tone a 1/4 can be subdivided as each IPA International Phonetic Alphabet would suggest, as to how to enunciate the vowel, then subdivide the note each beat, one per syllable/ phoneme or segment of the etymology of the word, based on the onset, nucleus,and coda, the nucleus being the vowel usually, so divide it as 1/16 for light weight vowel, 2/16 ornament or figure for heavy, and for super heavy three ,so 3/16 notes, it is rare but possible to have 4/16 for heavier vowel combination.
In that way each cell, or note, has further division into figures as ornament for the vowel intonation cantillation per beat. If you prefer to make it like the chant music of middle ages, then use as breve 2 notes of the 4 in one Am, or Bar as counting as one scansion, and for heavy make a figure of 4 beats or notes, and super heavy 6 notes, with short being Breve, and Longue being 4 notes, that is the other way, and then mark prosody of the vowels as motifs/ figures for the pattern of rime.
Choose words to fit on the next line that match its rime, the syllable marking of scansion and prosody for the onset, and rime, being nucleus and coda.
That is the proper way to mark the scansions for music. Then the poem becomes a ballade or song! :)
Petrarch, who wrote an octave, that is two qautrains (4 lines each ) for his thesis a total of 8, and then another (6 lines being, 2 tercets of 3 lines of verse) for his sestet, as his proposition or concluding thought or opinion with two tercets.
You can write a Spenserian sonnet with 7 couplets as your verses.
You can write a Terza Rima like Dante, with 4 -3 line tercets for twelve plus another two lines of verse for a total of 14 with and 1- 2 line couplet.
You can try writing like Chaucer, with 4 tercets, 3 lines of verse each and 1 couplet, to make a total of 14 lines for your sonnet / ballade.
You can write a sonnet like Shakespeare with 3 qautrains with 4 verses each and 1 couplet with two verses.
It does not matter how you write it, the modern pop songs have 3 verses and two choruses.
So write either 3 quatrains for twelve verses rhyming every other line.
Use and AB, AB rhyme scheme and then for the hook, your chorus write a 2 line couplet as your chorus. That makes a sonnet of 14 verses or lines.
You can repeat the chorus, as many times as you like in your song.
To start, think of a concept, what you want to write about, that is your over all theme.
Brainstorm through stream of consciousness as many ideas as you can, jot them down in point form quickly.
Then organize words that you want to use to make a key point, elaborate on that idea, write a paragraph about it. 4 lines, try to rhyme the end syllable of every other line.
A
B
A
B
Use that pattern.
Then write two more.
Think of an over all statement that sums up the theme and the concept in your verses.
That will be your Premise.
The Hook.
The Chorus. It is your 2 line couplet!
Now you are done with the poem, here is how to mark the scansions for meter and for prosody to find the melody of your music.
Scansions, when they are musical notation, and metric, measures, are bars in music, Ams, 4 beats or notes, and the phonemes, syllables, one per beat, in either, 1/4 or 2/8 or 4/16 depending on the cantillation of the prosody in the vowels, both the primary and the secondary, each being stressed according to it's type of syntax in grammar, nouns, having initial stress at the front, and verbs having the end, or usual (but not always penultimate stress), then the scansion should reflect actual real scansion and musical notation.
The syllables, one phoneme per beat or note, having either 1 quater note for (L) light weight vowels or (H) for heavy weight vowels 2 quarter notes or 3 quarter notes for superheavy vowels, it is rare to have 4 notes for a vowel but is possible.
That is one way, to mark the prosody, with Longue being 4 notes = 1 Am / Bar and Breve Short being 2 is another way to mark the scansion , like the medieval music notation for chants.
Another way to mark prosody it to specifically keep the phones /phonemes marked as on per syllable and one per note or beat in the 4/4 time/ tempo of an Am /Bar/ measure of music.
To mark the exact prosody, and to write music , then mark the cantillation for each vowel, with it's prosody being dynamic (S) Fortis Strong and (L) or (W) Lax, for Lenis or Weak dynamic based on the voiced or unvoiced consonants or vowels in the prior note/ syllable. Being marked F LOUD and P for Soft or quiet, and there is varying degree of 1 through 5 FFFF or MF or MP PPPP that is your dynamic, and it will indicate the phase or strength of frequency or colour degree of the clarity and resonance of the note when it is voiced, and the prosaic quality of the register/ pitch/ tonality the rise and fall, is the exact cantillation of the vowel enunciation, of melody and prosody with light syllables having one,ornament or figure and heavy having two notes and super heavy three with the mid being the highest point, starting at the lowest raising to mid then back to tonic or the previous note, it should be raised up if it is voiced, and lowered if unvoiced in the prior syllable or consonant.
So in that way, the note, a beat, the tone a 1/4 can be subdivided as each IPA International Phonetic Alphabet would suggest, as to how to enunciate the vowel, then subdivide the note each beat, one per syllable/ phoneme or segment of the etymology of the word, based on the onset, nucleus,and coda, the nucleus being the vowel usually, so divide it as 1/16 for light weight vowel, 2/16 ornament or figure for heavy, and for super heavy three ,so 3/16 notes, it is rare but possible to have 4/16 for heavier vowel combination.
In that way each cell, or note, has further division into figures as ornament for the vowel intonation cantillation per beat. If you prefer to make it like the chant music of middle ages, then use as breve 2 notes of the 4 in one Am, or Bar as counting as one scansion, and for heavy make a figure of 4 beats or notes, and super heavy 6 notes, with short being Breve, and Longue being 4 notes, that is the other way, and then mark prosody of the vowels as motifs/ figures for the pattern of rime.
Choose words to fit on the next line that match its rime, the syllable marking of scansion and prosody for the onset, and rime, being nucleus and coda.
That is the proper way to mark the scansions for music. Then the poem becomes a ballade or song! :)
~Krista Kaufman 2018-02-20
Thursday 1 February 2018
The Theory of Everything Evolution vs. Creation Science : How does it all compare?
Ryan Hembre Science Journalist's segment at 18:42
Enjoy the full Bible Study at the start, and then watch science at the end.
How it all happens; Science of the Universe and it's Physics
The magnetic field would increase pressure as it collapses as fission/fusion cycle happens through the 1 Atomic ,Neutron, stable, then Protons unstable ,under pressure, volatility, Electron, Muon,Tau unstable friction collision happens, red,green,blue alpha,beta,gamma matter +/- anti-matter cycle (6) decay death cycle , the 8th end regeneration as it explodes and then joins to new matter,forms hadrons, individual particles can not survive they through law of attraction under gravitational force, have to be joined to new matter,hadrons,then its stable again, but that, before it does collapse, when it compresses the force would cause increased energy electricity nuclear energy at fission radiation, isotopes etc. when pressure seals it through force and pressure during collapse and like the nuclear bombs when unsealed they remain stable when sealed become unstable volatile under pressure, and collision fission/fusion cycle would explode when gluons increase it weakens, stretches and then breaks,fission,radiation, endothermic energy, outward, then particles rejoin to new hadrons so after the 3 +/- cycles of decay and destruction the final one after proton- electrons, muon,tau then it would explode and the particles under physics can not remain isolated they have to attract to other particles and form new atomic matter to be stable again hadrons ,neutrons, protons,and the electrons would remain so and as the + and + make - and the - and - make + the magnetic field grows and spins in polarity again the bose/einstein wave theory is why it stretches out like curtains because of the warp in the time space continuum during the fission when it breaks apart and elongates just prior, because of the gluons, the gluons happens when it is weak, stretches minimal collision force needed to break, exothermic force in, fission,then it breaks, at collision, when it becomes unstable under increased exothermic pressure and then is volatile, when it is weak enough then it takes very little force of collision and then fission occurs. The endothermic forces it outward particles join to form new hadrons after they collide,and the exothermic draws it in under gravitational electromagnetic force of polarity and spin.The more it draws in under exothermic stress that is when it stretches out, like curtains. The bible describes it. Same with when the particles Quarks, (+)/(-) are at the smallest quantum superpositions as they are reduced beyond gamma radiation each fission/fusion cycle they are at 4 simultaneous quantum superpositions, particles quarks(+) /anti-quark (-) particles join to new formed hadrons, all at the same time in the full double polarity spin under electromagnetic force and gravity, so it is also just like how the bible describes the wheels of gods throne, his chariot with the faces of the spirit of nuclear energy they angels are at full nuclear type quantum superposition so they appear as the faces are in 4 places at the same time but it is just one being.
The chariot, 4 seraphim, 2 cherubim at the mercy seat with YHVH JESUS GOD in the mercy seat the 7, the candle sticks the menorah in the temple represent his chariot and enthroned presence. He is the energy and force of the universe and moves and vibrates in momentum as genesis says HE moves, electricity has pitch and tone and produces sound, words, and nuclear, energy the 5 basic atomic particles in it form the basis in chemistry for all other atomic chemical structure at the microcosm of space in the minutia HE created by moving causing pressure force fission/fusion created new hardons elemental particles and atomic structure in the minute microcosm and in the large macrocosm in the universe and stars you were talking about the stars spin under double polarity gravitational spin, the gluons cause the quarks to stretch and elongate which causes the strange shape of the stars that you showed on screen , it is in collapse, weakens, and under exothermic pressure in it becomes more volatile unstable until pressure of colliding quarkss(+)/(-) anti-quarks at full quantum superpostion inhabit the same space and BIG BANG! Nuclear fission breaks! GAMMA RADIATION =BLUE the same at chemical level in us too! Alpha,Beta ,Gamma RED, GREEN,BLUE, so when you showed BLUE star it is at collapse, it will stretch under time space WAVE bose/einstein theory where warp in the time space continuum happens, Boson Gauge degree of increased pressure and charge, it under pressure of endo outward or exo inward either alters the hydrogen oxygen etc the 5 main underlying chemistry of the particles atoms in the gaseous atmosphere, and just like water in extreme cold in the vacuum in the internal exothermic pressure, that is why there is a black hole it becomes a vacuum in space and all freezes, when it the qaurks/anti quarks are stretched until gluons form and slight collision caused fission then charge bang radiation gamma radiation particles, isotopes scatter, under radiation,light is created, and travels, re: einsteins explanation of speed of light, and qaurks can not be isolated they attract to electromagnetic force of gravity spin to other qaurks form hadrons,new atoms and under stable spin increase charge electromagnetic energy grows charge endothermic outward energy causes increase boson gauge degree of heat charge of electricity and that heat melts gas then causes like ice to become water and heat endothermic creates water,condensation, that is how in the beginning water was formed as GOD moved in vibrational wave patterns of energy at frequency and pitch and tone the hum in space caused sound and words......in the beginning......;) CREATION SCIENCE ! BIG BANG INDEED! ;) GOD YHVH DOES BIG THINGS HE IS ALMIGHTY AND WONDERFUL HE IS AWESOME AMEN! :)
THAT ....is the THEORY OF EVERYTHING.......GO challenge the scientists, that do not believe and share that with them!
IT EXPLAINS IT ALL!
Also, the jewish scripture says in the beginning , time periods designated, a day is like a thousand years, meaning a specific and exact measure of time . Never said exact length or precise measure but it used the conceit and concept of 1 day=1000 years = a metric degree of measurement..........go explain that to the scientists! :) ;) ~Krista
PROGRAM: QUICK STUDY!
https://www.youtube.com/watch?v=aIkBgmjNlpo
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